Anthony Veiller
From Wikipedia, the free encyclopedia Anthony Veiller (23 June 1903 – 27 June 1965) was an American screenwriter and film producer. The son of the screenwriter Bayard Veiller and the English actress Margaret Wycherly, Anthony Veiller wrote for 41 films between 1934 and 1964. He was born on 23 June 1903 in New York City to Bayard Veiller and Margaret Wycherly. He moved to Hollywood in 1930. Veiller was twice nominated for an Academy Award for Best Screenplay. In 1937, he co-wrote (with Morrie Ryskind) the screenplay for Stage Door, starring Katharine Hepburn, Ginger Rogers and Adolphe Menjou. This very loose adaptation of the play by George S. Kaufman and Edna Ferber was also nominated for the Academy Award for Best Picture. Veiller was also Oscar-nominated for writing (with uncredited help from John Huston and Richard Brooks) The Killers (1946), an adaptation of the short story by Ernest Hemingway. This seminal example of film noir, which introduced Burt Lancaster to filmgoers, won an Edgar Award as best mystery film of 1946, and in 2008 was enshrined in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Veiller frequently worked with top directors. During the Second World War he worked with Frank Capra on several films in the documentary/propaganda film series collectively titled Why We Fight. In 1946 (the same year as The Killers), Veiller co-wrote The Stranger, directed by and starring Orson Welles. For State of the Union (1948), again directed by Capra, Veiller was credited as co-producer as well as co-writer. Veiller worked with director John Huston on several films: Moulin Rouge (1952), Beat the Devil (1953), The List of Adrian Messenger (1963), and The Night of the Iguana (1964), the film of the Tennessee Williams play that became Veiller's final screen credit. Veiller died on 27 June 1965 of cancer, in Hollywood, California. He was buried in the St Mary Churchyard, Bepton, Chichester, West Sussex, England as was his mother.
Credits
Newest first- Why We Fight: World War II: The Battle of China / War Comes to Americaas Narrator2000
- Why We Fight: World War II: The Battle of China / War Comes to AmericaWriter2000
The Night of the IguanaScreenplay1964
On the Trail of the Iguanaas Self1964
The List of Adrian MessengerScreenplay1963
Solomon and ShebaScreenplay1959
TimbuktuWriter1958
Monkey on My BackScreenplay1957
SafariScreenplay1956
That LadyScreenplay1955
Beat the DevilAdditional Writing1953
Moulin RougeScreenplay1952
Red Planet MarsProducer1952
Red Planet MarsWriter1952
Force of ArmsProducer1951
Fort WorthProducer1951
Along the Great DivideProducer1951
DallasProducer1950
Chain LightningProducer1950
BackfireProducer1950
Colorado TerritoryProducer1949
State of the UnionScreenplay1948
The KillersScreenplay1946
The StrangerScreenplay1946
Here Is Germanyas Narrator (uncredited)1945
Your Job in GermanyWriter1945
Why We Fight: The Battle of Chinaas Narrator1944
Attack! The Battle for New Britainas Narrator (voice)1944
Why We Fight: The Battle of Russiaas Narrator1943
Why We Fight: The Battle of BritainDirector1943
Assignment in BrittanyScreenplay1943
Her Cardboard LoverScreenplay1942
New York TownProducer1941
VictoryProducer1940
Moon Over BurmaProducer1940
SafariProducer1940
TyphoonProducer1940
Disputed PassageScreenplay1939
Let Us LiveScreenplay1939
The Saint in New YorkTreatment1938
Radio City RevelsScreenplay1938
Stage DoorScreenplay1937
The Soldier and the LadyScreenplay1937
WintersetScreenplay1936
A Woman RebelsScreenplay1936
The Ex-Mrs. BradfordScreenplay1936
The Lady ConsentsScreenplay1936
Seven Keys to BaldpateWriter1935
JalnaScreenplay1935
Break of HeartsScreenplay1935
Star of MidnightScreenplay1935
MenaceWriter1934
The Notorious Sophie LangScreenplay1934
The Witching HourWriter1934
The Witching HourProducer1934