
Maria Michi
Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà. Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film. Description above from the Wikipedia article Maria Michi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Credits
Newest first
Salon Kittyas Hilde1976
Down the Ancient Stairsas la pazza aggressiva1975
Irene, Ireneas Maria1975
Le ultime lettere di Jacopo Ortis1973
Brothers Blueas Mama Blue1973
Redneckas Princess1973
Last Tango in Parisas Rosa's Mother1972
What Have You Done to Solange?as Brenda's Mother (uncredited)1972
Mont-Dragonas Hortense Dubois - la femme d'Armand1970
The Breachas La Troisième Parque1970
The Lady of Monzaas Sister Bianca Homati1969
The Laws of Waras signora Macusar1961
The Charterhouse of Parmaas Marietta1948
L'altraas 'Angelo' Morelli1947
Shamedas Tea1947
Fatalitàas Paola1947
Paisanas Francesca1946
Rome, Open Cityas Marina Mari1945