
Lev Kuleshov
Lev Vladimirovich Kuleshov was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. People's Artist of the RSFSR (1969). Lev Kuleshov was born in 1899 into an intellectual Russian family. At the time he was born, the family became financially broke, lost their estate and moved to Tambov, living a modest life. In 1911 his father died; three years later Lev and his mother moved to Moscow where his elder brother was studying and working as an engineer. Lev Kuleshov decided to follow the steps of his father and entered the Moscow School of Painting, although he didn't finish it. In 1916 he applied to work at the film company led by Aleksandr Khanzhonkov. He produced scenery several pictures but with time he became more interested in film theory. He co-directed his first movie Twilight in 1917. His next film was released under the Soviet patronage. During the 1918-1920 he covered the Russian Civil War with a documentary crew. In 1919 he headed the first Soviet film courses at the National Film School. Kuleshov may well be the very first film theorist as he was a leader in the Soviet montage theory — developing his theories of editing before those of Sergei Eisenstein (briefly a student of Kuleshov). For Kuleshov, the essence of the cinema was editing, the juxtaposition of one shot with another. To illustrate this principle, he created what has come to be known as the Kuleshov Effect. In this now-famous editing exercise, shots of an actor were intercut with various meaningful images (a casket, a bowl of soup, etc.) in order to show how editing changes viewers' interpretations of images. In addition to his theoretical and teaching work, Kuleshov also directed a number of feature-length films. Among his most notable works is an action-comedy The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924), a psychological drama By the Law (1926) adapted from the short story by Jack London and a biographical drama The Great Consoler (1933) based on O. Henry's life and works. After directing his last film in 1943, Kuleshov served as an artistic director and an academic rector at VGIK where he worked for the next 25 years. Lev Kuleshov died in Moscow in 1970. He was buried at the Novodevichy Cemetery. He was survived by his wife Aleksandra Khokhlova (1897—1985) — an actress, film director and educator and her son from the first marriage.
Credits
Newest first
The Kuleshov Effectas Self1969
We from the UralsDirector1943
Timur's OathDirector1942
Young PartisansDirector1942
Incident on a VolcanoOther1941
Incident on a VolcanoProducer1941
SiberiansDirector1940
SiberiansEditor1940
Our Cinemaas (archive footage)1940
DokhundaDirector1934
The Great ConsolerDirector1933
The Great ConsolerProduction Design1933
The Great ConsolerWriter1933
HorizonDirector1932
HorizonWriter1932
Forty HeartsDirector1931- The Backlog!Director1930
SashaScreenplay1930
The Happy CanaryDirector1929
Two-Buldi-TwoDirector1929
Your FriendDirector1927
Your FriendEditor1927
By the LawDirector1926
By the LawWriter1926- Locomotive No. 1006Director1926
The Death Ray1925
The Death RayDirector1925
The Extraordinary Adventures of Mr. West in the Land of the BolsheviksDirector1924- The Created Surface of the EarthDirector1920
- At the Red Frontas Resident of war zone1920
- At the Red FrontDirector1920
- At the Red FrontWriter1920
The Exposure of the Relics of Sergius of RadonezhCo-Director1919
The Exposure of the Relics of Sergius of RadonezhEditor1919
Taras's DreamEditor1919
SmelchakEditor1919
Kuleshov EffectDirector1919
Kuleshov EffectEditor1919
Boulevard SlushProduction Design1918
Unfinished Love SongDirector1918
Miss MeriProduction Design1918
Engineer Prite's ProjectDirector1918
Engineer Prite's ProjectEditor1918
Engineer Prite's ProjectProduction Design1918
The King of ParisProduction Design1917
For Happinessas Enrico, painter1917
For HappinessProduction Design1917
The AlarmProduction Design1917
Black Love1917
Black LoveProduction Design1917