
John Mangia
John Mangia is a Los Angeles-based Visual Effects Supervisor. He served as Additional VFX Supervisor for Marvel Studios on Ant-Man and the Wasp: Quantumania. Before that, he was the Overall VFX Supervisor for the Paramount+ limited series The Offer, supervising five vendors and nearly 800 VFX shots. His work on the series included the creation of highly detailed, full-CG environments, digital crowds, and vehicles to faithfully recreate 1970s New York City and the world of The Godfather. Mangia also served as Overall VFX Supervisor on the Emmy and Golden Globe-winning Netflix limited series The Queen’s Gambit, directed by Scott Frank and executive produced by Bill Horberg. His contributions included the visualisation of Beth Harmon’s chess hallucinations and the transformation of present-day Berlin into 1960s settings such as Paris, Moscow, Mexico City, and Kentucky. His additional credits include M. Night Shyamalan’s Old, Barry Jenkins’ If Beale Street Could Talk, Miles Joris-Peyrafitte’s Dreamland, and The Code from CBS Television Studios. In 2014, he was nominated for a Visual Effects Society Award for Outstanding Compositing in a Commercial for the Sony PlayStation spot Perfect Day. His portfolio also includes major studio features such as Men in Black 3, The Amazing Spider-Man, Green Lantern, and Darren Aronofsky’s Black Swan. He served as an independent VFX consultant on the Academy Award-nominated Beasts of the Southern Wild and has contributed to numerous television commercials and episodic series for networks including HBO, Cinemax, NBC, and Starz—frequently leading creative look development for complex sequences. Mangia holds a Master of Science in Digital Imaging and Design from New York University, with additional studies at Rochester Institute of Technology and Rider University. He has pursued specialized training in creature design at the Stan Winston School of Character Arts. In addition to his industry work, he has lectured on advanced visual effects and computer graphics topics at New York University and the New York Film Academy.
Credits
Newest first
ShellVisual Effects Supervisor2025
The Fantastic 4: First StepsVFX Supervisor2025
PULSEVisual Effects Supervisor2025
Ant-Man and the Wasp: QuantumaniaVFX Supervisor2023
The OfferVisual Effects Supervisor2022
The Queen's GambitVisual Effects Supervisor2020
DreamlandVisual Effects Supervisor2019
Long ShotVisual Effects Supervisor2019
The CodeVisual Effects Supervisor2019
Windows on the WorldCompositing Supervisor2019
ZeroCompositing Artist2018
If Beale Street Could TalkVisual Effects Supervisor2018
12 Feet DeepVisual Effects Design Consultant2018
White Boy RickVisual Effects Supervisor2018
First ReformedVisual Effects Supervisor2018
SweetbitterCompositing Supervisor2018
All SaintsCompositing Supervisor2017
High MaintenanceCompositing Supervisor2016
OutcastDigital Compositor2016
OutcastVisual Effects Supervisor2016
VinylDigital Compositor2016
Hail, Caesar!Digital Compositor2016
BillionsVisual Effects Supervisor2016
Flesh and BoneDigital Compositor2015
BlindspotDigital Compositor2015
BlindspotCompositing Supervisor2015
The Longest RideDigital Compositor2015
Run All NightDigital Compositor2015
PowersDigital Compositor2015
The LeftoversCompositing Artist2014
PowerDigital Compositor2014
The BlacklistDigital Compositor2013
Beasts of the Southern WildCompositing Artist2012
Men in Black 3Digital Compositor2012
Tower HeistDigital Compositor2011
Green LanternCompositing Artist2011
The Adjustment BureauDigital Compositor2011
I Am Number FourDigital Compositor2011
Black SwanDigital Compositor2010
Jack Goes BoatingDigital Compositor2010
Going the DistanceDigital Compositor2010
Step Up 3DDigital Compositor2010
Remember MeDigital Compositor2010
Five Minarets in New YorkDigital Compositor2010
Brooklyn's FinestDigital Compositor2010
Did You Hear About the Morgans?Digital Compositor2009
The Limits of ControlDigital Compositor2009
DuplicityDigital Compositor2009
The Cookie ThiefDigital Compositor2008
ManhaterDigital Compositor2005