
Annabella Miscuglio
A leading figure in independent and experimental cinema and audiovisual production from the late 1960s onwards, Miscuglio was the founder in 1967, with Americo Sbardella and Paolo Castaldini, of Filmstudio 70, the first Italian underground film club. During the 1970s she began her activity as a filmmaker and activist, taking part in the first Italian feminist collectives and films, and in 1976 she organized Kinomata, the first international women's film conference-festival in Rome, with Roni Daopoulo. At the same time, she allowed herself the creative and productive freedom of super8, creating small experimental works. At the end of the 1970s she chose to dedicate herself completely to directing, working mainly for television; one of the very few production fields in which women, albeit to a limited extent, had some room for manoeuvre. Miscuglio's activity is intense and multifaceted, but unknown to most, given the invisibility to which female creativity is often condemned even today - especially if carried out in independent contexts.
Credits
Newest first- La cospirazioneDirector1992
Il Divino, lo strillone e altriDirector1992- Il Lazio e la memoriaDirector1990
Effetto PugliaDirector1988- Frammenti di fabbricaDirector1986
- Percorsi metropolitaniDirector1983
- Graffi sulla cittaDirector1982
- A.A.A. OffresiDirector1981
- Morso d'amoreDirector1981
I fantasmi del falloDirector1980
Processo per stuproDirector1979
Frammenti di una vita d'eroinaDirector1977- Il rischio di vivereDirector1977
- RitrattiDirector1976
- Canti illuminatiDirector1976
Anna’s TexturesDirector1976
Grazia a GraziaDirector1976
MaitreyaDirector1976
RonyDirector1976
PaolaDirector1976
Puzzle TherapyDirector1976
Annaas Self (uncredited)1975
Fughe lineari in progressione psichicaDirector1975
La lotta non è finitaDirector1973
Vigilando reprimereScreenplay1972
The Adjective WomanDirector1971
The Adjective WomanEditor1971