Camera
Eugen Schüfftan
Born 1893-07-21 · Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
Died 1977-09-06
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Credits
Newest first
ChappaquaCamera Operator1966
The Doctor Speaks OutDirector of Photography1966
Three Rooms in ManhattanDirector of Photography1965
The Big ScareDirector of Photography1964
LilithDirector of Photography1964
The VirginsDirector of Photography1963
Captain SindbadCinematography1963
Something WildDirector of Photography1961
The HustlerDirector of Photography1961
Eyes Without a FaceDirector of Photography1960
A CoupleDirector of Photography1960
The Bloody BroodDirector of Photography1959
Head Against the WallDirector of Photography1959
The First NightDirector of Photography1958
Hawkeye and the Last of the MohicansDirector of Photography1957
A Parisian in RomeDirector of Photography1954
UlyssesSpecial Effects1954
The Venus of TivoliDirector of Photography1953
The Crimson CurtainDirector of Photography1953
Mina de VanghelDirector of Photography1953
The Respectful ProstituteDirector of Photography1952
Gunman in the StreetsDirector of Photography1950
Women in the NightSet Decoration1948
Women in the NightArt Direction1948
Women in the NightDirector of Photography1948
The Strange WomanProducer1946
The Dark MirrorVisual Effects1946
A Scandal in ParisProduction Supervisor1946
A Scandal in ParisDirector of Photography1946
Club HavanaDirector of Photography1945
BluebeardDirector of Photography1944
BluebeardProduction Design1944
Summer StormDirector of Photography1944
It Happened TomorrowTechnical Supervisor1944
Voice in the WindTechnical Advisor1944
Hitler's MadmanDirector of Photography1943
There's No TomorrowDirector of Photography1940
The EmigrantDirector of Photography1940
María de la ODirector of Photography1939
The Shanghai DramaDirector of Photography1938
Port of ShadowsDirector of Photography1938
HatredDirector of Photography1938
ForfaitureDirector of Photography1937
Bizarre, BizarreDirector of Photography1937
YoshiwaraDirector of Photography1937
Street of ShadowsDirector of Photography1937
The Trouble with MoneyDirector of Photography1936
The Tender EnemyDirector of Photography1936
The InvaderDirector of Photography1936
The Slump Is OverDirector of Photography1934
The ScandalDirector of Photography1934
High and LowDirector of Photography1933
Invisible OpponentDirector of Photography1933
The Oil SharksDirector of Photography1933
Queen of AtlantisDirector of Photography1932
The Mistress of AtlantisDirector of Photography1932
Into the BlueDirector1931
I'd Rather Have Cod Liver OilDirector of Photography1931
The ScoundrelDirector of Photography1931
The ScoundrelDirector1931- Les quatre vagabondsCinematography1931
Popular TuneDirector of Photography1931
The Stolen FaceDirector of Photography1930
FarewellDirector of Photography1930
People on SundayDirector of Photography1930
Jagd auf dichDirector of Photography1929
MetropolisVisual Effects1927
NapoleonVisual Effects Supervisor1927
NapoleonSpecial Effects1927
Manon LescautAdditional Photography1926- Hudson's BayCinematography—