Peter Campus
Born in 1937, Peter Campus studied experimental psychology at Ohio State College and film at the City College of New York. His early tapes explore the anatomy of the video signal in relation to human psychology and perception. "The video camera makes possible an exterior point of view simultaneous with one's own. This advance over the film camera is due to the vidicon tube, similar to the retina of the eye, continually transposing light (photon) energy into electrical energy... It is easy to utilize video to clarify perceptual situations because it separates the eye-surrogate from the eye-brain experience we are all too familiar with." Campus was one of a group of artists in the mid-70s who produced work in the experimental TV labs at WGBH in Boston and WNET in New York. In addition to numerous single-channel works, he has investigated the characteristics of "live" video through closed-circuit video installations and elaborate sculptural works whose structural components included video cameras, projectors, and monitors.
Credits
Newest first
shinnecock bay: leewardDirector2019
shinnecock bay: locks eddyDirector2019
shinnecock bay: leewardDirector of Photography2019
shinnecock bay: locks eddyDirector of Photography2019
shinnecock bay: leewardEditor2019
shinnecock bay: locks eddyCinematography2019
shinnecock bay: locks eddyEditor2019
shinnecock bay: leewardCinematography2019
Death ThreatDirector2000- Winter JournalDirector1997
East Ended TapeDirector1976
Four Sided TapeDirector1976
Third TapeDirector1976
Casual Relations1974- R-G-B1974
- Set of Co-incidence1974
- R-G-BDirector1974
- Set of Co-incidenceDirector1974
Three Transitions1973
Three TransitionsDirector1973
Double VisionDirector1971
Dynamic Field SeriesDirector1971
WindCamera Operator1968- KivaDirector—