
Jason D. Morris
Jason D. Morris is an emerging filmmaker recognized for his distinctive approach to the horror genre. He has cultivated a reputation for pairing atmospheric tension with unique undertones, resulting in films that entertain while subverting traditional storytelling conventions. Morris’s latest work, The Space Rodent, exemplifies his commitment to crafting innovative narratives on a micro-budget, reflecting both his resourcefulness and dedication to independent cinema. He studied film at Academy of Art University in San Francisco, refining the hands-on approach that now characterizes his creative process. Morris was drawn to filmmaking through his early fascination with genre movies and their ability to evoke a wide range of emotional responses. He further pursued informal training and self-directed study of film production techniques, gaining hands-on experience in low-budget projects that demanded versatile skill sets. As a result, he developed expertise not only in direction but also in screenwriting, editing, and producing. Prior to The Space Rodent, Morris helmed earlier projects such as Collapse (2015)—an existential horror feature—and the documentary Millennium After the Millennium (2019), showcasing his capacity to weave compelling narratives across multiple genres. In his directorial work, Morris emphasizes collaboration and creative problem-solving. His sets are reputed for their supportive atmosphere, where cast and crew are encouraged to experiment with improv elements and comedic timing. This focus on teamwork contributes to the distinctive comedic beats that punctuate Morris’s otherwise suspense-laden storylines. The Space Rodent, his first comedic feature-length film, serves as a testament to this approach—melding chills, laughs, and a sense of playful irreverence. Morris cites classic horror directors, as well as contemporary independent filmmakers, among his key influences. He frequently experiments with unconventional visual effects and practical makeup techniques, underscoring his belief in the power of hands-on artistry. With The Space Rodent, he continues to build a body of work that aims to challenge audience expectations while celebrating the fun inherent in genre filmmaking. Committed to expanding the horizons of low-budget horror, Jason D. Morris remains focused on exploring uncharted intersections between fear and humor. His evolving filmography demonstrates an ambition to redefine what is achievable within independent productions, positioning him as a noteworthy talent in the realm of horror cinema.
Credits
Newest first
Tracking the WendigoEditor2026
The Space RodentDirector2025
The Space RodentProducer2025
The Space RodentEditor2025
Haunted Objects Volume TwoDirector2025
Haunted Objects Volume TwoWriter2025
Haunted Objects Volume OneDirector2024
Haunted Objects Volume OneWriter2024
The Curious Case of the Murder that Wasn't!Director2023
The Curious Case of the Murder that Wasn't!Writer2023
It Came From SomewhereThanks2022
Millennium After the MillenniumDirector2019
Dark WinterWriter2018
Dark WinterDirector2018
CollapseDirector2015
Story of EvaEditor2015
Story of EvaProducer2015
Predatory LenderCinematography2014
Predatory LenderEditor2014
Predatory LenderCo-Producer2014
BetrayalWriter2013
BetrayalProducer2013
BetrayalDirector of Photography2013
Millennium Apocalypse: The Dark Inside YouDirector2012- The WeddingProducer2010
The House on Devils RoadDirector2008
The House on Devils RoadWriter2008
The House on Devils RoadMusic2008
The House on Devils RoadEditor2008
Millennium Apocalypse: The End is Here...as Detective Alax Michaelson2006
Millennium Apocalypse: The End is Here...Director2006
The Yellow Balloon: The Curse of Vincent Vile—
The Dark RoadDirector—
The Yellow Balloon: The Curse of Vincent VileDirector—
The Yellow Balloon: The Curse of Vincent VileProducer—