
Owen Land
George Landow (1944 – June 8, 2011), also known as Owen Land, was a painter, writer, playwright, photographer, and experimental filmmaker. Shortly after the release of his film On the Marriage Broker Joke... (1977), Landow rearranged his name to Owen Land, an anagram of "Landow N.E." He has also worked under pen names Orphan Morphan and Apollo Jize. According to film historian Mark Webber, Land made early films as a teenager, and his later films, made mostly during the 1960s and 1970s, are some of the first examples of the "structural film" movement. Land's films usually involve wordplay, and have been described by Webber as having a humor & wit that separates his films from the "boring" world of avant-garde cinema. Webber also said that he was inspired by Joyce, Beckett, and Ionesco. While the humorous aspects of his films makes them appealing to audiences who are not familiar with the perceived hermetic and insular world of avant-garde film, many of his works function as sharp parody of the experimental & "structural film" movement. The book Two Films By Owen Land (Lux, London) features the complete scripts of Landow/Land's films Wide Angle Saxon and On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and its Relation to the Unconscious or Can the Avant-Garde Artist Be Wholed?, as well as footnotes written by Land interpreting the many references and elements of these two films and a filmography by Mark Webber. Released in May 2011, the book "Dialogues - a film by Owen Land" (Paraguay Press, Paris) features the complete script of his last film, as well as two interviews with the artist.
Credits
Newest first
Fluxfilm Anthology 1962-1970Director2010
In the Land of Owen2009
Dialogues, or A Waist Is a Terrible Thing to MindDirector2009
Dialogues, or A Waist Is a Terrible Thing to MindExecutive Producer2009
Dialogues, or A Waist Is a Terrible Thing to MindWriter2009
On the Marriage Broker Joke as Cited by Owen Land...in the Film 'On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?'Writer2009
Excerpts from a Work in Progress (Undesirables)Director1999
The Box Theory (Ireko Riron)Director1984
Noli me tangereDirector1983
Grand Opera: An Historical Romanceas Al Rutcurts1979
DiploteratologyDirector1978
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?Director1977
New Improved Institutional Quality: In the Environment of Liquids and Nasals a Parasitic Vowel Sometimes DevelopsDirector1976
Wide Angle SaxonDirector1975
No Sir, Orison!Director1975
A Film of Their 1973 Spring Tour Commissioned by Christian World Liberation Front of Berkeley, CaliforniaDirector1974
Thank You Jesus for the Eternal PresentDirector1973
What's Wrong with This Picture? 2Director1972
What's Wrong with This Picture? 1Director1971
Remedial Reading Comprehension1970
Remedial Reading ComprehensionDirector1970- Institutional QualityDirector1969
- Baroque SlippagesDirector1969
The Film That Rises to the Surface of Clarified ButterDirector1968- Ball BearingCinematography1968
Bardo FolliesDirector1967
Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc.Director1966
The Evil FaerieDirector1966- Studies and Sketches in 8mmDirector1965
This Film Will Be Interrupted After 11 Minutes by a CommercialDirector1965- Adjacent Yes, But Simultaneous?Director1965
- Not a Case of Lateral DisplacementDirector1964
- Fleming FaloonDirector1963
- Richard Kraft at the Playboy ClubDirector1963
- Fleming Faloon ScreeningDirector1963
- Are EraDirector1962
- Faulty Pronoun Reference, Comparison and Punctuation of the Restrictive or Non-Restrictive ElementDirector1961
- Two Pieces for the Precarious LifeDirector1961
- A Stringent Prediction at the Early Hermaphroditic StageDirector1961
- The Leopard SkinDirector—