
Ed Emshwiller
Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.
Credits
Newest first
Birth of a Nationas Self1997
HungersDirector1987
Home Movies 1971-811985
Skin Matrix SDirector1984
Skin MatrixDirector1984
The Lathe of HeavenSpecial Effects1980
SunstoneDirector1979
SunstoneWriter1979
EclipseDirector1979
DubsDirector1978
Sur FacesDirector1977
Lost, Lost, Lostas Self1976- New England Visions Past and FutureDirector1976
Self-TrioDirector1976
Family Focusas Himself1976
Family FocusDirector1976
Family FocusCinematography1976
Family FocusEditor1976- Inside EdgesDirector1975
Solstice and Solyanka1975
Suite 212Camera Operator1974
Crossings and MeetingsDirector1974
ChrysalisDirector1973
ChrysalisCinematography1973
ChrysalisSound1973- Positive Negative Electronic FacesDirector1973
Pilobolus and JoanDirector1973- IdentitiesDirector1973
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”1973
Painters Painting1973
Painters PaintingCinematography1973- Woe Oh Ho NoDirector1972
Scape-MatesDirector1972
Scape-MatesWriter1972- Computer Graphics #1Director1972
ThermogenesisDirector1972
MillhouseCinematography1971
Film with Three DancersDirector1971
Choice Chance Woman DanceDirector1971
BranchesDirector1970
CarolDirector1970
CarolCinematography1970
CarolEditor1970
ReportSound Recordist1970
ReportCinematography1970- ImagesDirector1970
Image, Flesh and VoiceDirector1969- Jr. Star TrekCinematography1969
Project ApolloDirector1968
Diaries, Notes, and Sketchesas Self1968
Bob Dylan – Don't Look BackCamera Operator1967
FusionDirector1967
Galaxieas Self1966
RelativityDirector1966- In Three ZonesDirector1966
Oysters Are in SeasonDirector of Photography1966
Art Scene USADirector1966
George Dumpson's PlaceDirector1965
Film Magazine of the ArtsCinematography1965- Faces of AmericaDirector1965
ScramblesDirector1964
TotemDirector1963
TotemEditor1963
TotemDirector of Photography1963
Hallelujah the Hillsas Gideon1963
Hallelujah the HillsCinematography1963- Freedom MarchDirector1963
ThanatopsisDirector1963- The ExistentialistCinematography1963
The Streets of GreenwoodCinematography1962
The American WayCamera Operator1962
Time of the HeathenCinematography1962
Time of the HeathenEditor1962
Time of the HeathenArt Direction1962
LifelinesDirector1960
Dance ChromaticDirector1959
TransformationDirector1959- Big VacationDirector1958
- MonstersDirector1958
Paintings by Ed EmshwillerDirector1958