
Dore O.
Trained as a painter, O. was cofounder of the Hamburger Filmschau, alongside with her husband and collaborator Werner Nekes. For all the psychedelia of her early work, subsequent films are rigorous in refractory experimentation: rear-projections, double-impositions, repeated frames and breathtaking lunges of the handheld camera, which seems bolstered as much by raw impulse as it does by any guiding principle of onscreen organization. O.’s work establishes its own space-time linearities, then argues them against each other–sometimes content with a mild flicker, a closing or opening aperture or a flurry of blunt smears. This is a playful and often freefalling visual poetics, best left to wash over you pure and analyzed later (or better yet, not at all.)
Credits
Newest first
Eye-StepDirector2000- The Critical Massas Herself1999
ThermomentDirector1998
ThermomentProducer1998
ThermomentDirector of Photography1998
Birth of a Nationas Self1997
XoanonDirector1994
CandidaDirector1991
Blindman's BallDirector1988
EnzyklopDirector1985
Home Movies 1971-811985
Stern des MeliesDirector1983
Stern des MeliesWriter1983
Uliisses1982
BeuysDirector1981
Hurrycan1979
Frozen FlashesDirector1976
KaskaraDirector1974
Diwan1974
Blonde BarbareiDirector1973
Blonde BarbareiWriter1973
Blonde BarbareiProducer1973
Blonde BarbareiDirector of Photography1973
Blonde BarbareiEditor1973
T-Wo-Men1972
Kaldalon1971
KaldalonDirector1971- Abbandono1970
Lawale1969
LawaleDirector1969
LawaleDirector of Photography1969
AlaskaDirector1968
AlaskaProducer1968
AlaskaMusic1968
AlaskaEditor1968
AlaskaSound1968
Mama, da steht ein Mann1968
Vis-à-vis1968
Jüm-Jüm1967
Jüm-JümDirector1967